Miles Electric: A Different Kind of Blue [Miles Davis Documentary]

I didn't really get Miles Davis till watching this documentary on his switch to the use of electronic instruments but now I understand him more fully as an uncompromising artist. I'm looking forward to digging around Youtube.

Couple of great quotes from this. One describes Miles style as a boxing methaphor, 'it's all about the final note, jab, jab, jab and then the final note'. The other was the origin of Jazz. Madams in Brothels would tell the piano player to Jazz it up if a customer was taking too long with a hooker upstairs. I think that's brilliant that and far less intrusive than sending one of the girls.

Miles Davis
Miles Electric: A Different Kind of Blue
British Isle of Wight Festival
August 29, 1970

By the time Miles Davis hit the stage at the British Isle of Wight Festival on August 29, '70, he was fomenting yet another stylistic leap forward, this time with a concept that revolved around extremely loose sketches that were mere starting points for collective improvisation in an aggressively electric context. Unfortunately, he had also alienated much of his core constituency, fans who were more accustomed to the acoustic Miles of the second quintet with Herbie Hancock, Wayne Shorter, Ron Carter and Tony Williams, the Miles of Kind of Blue and Miles the interpreter of the Great American Songbook. If Bitches Brew was a calling card to a more dense, rock and funk-inflected Miles, the group that followed - saxophonist Gary Bartz, electric bassist Dave Holland, drummer Jack DeJohnette, percussionist Airto Moreira, electric pianist Chick Corea and organist Keith Jarrett - pushed the limits even further, with a thick and, at times, nearly unfathomable chaos that clearly challenged anyone who thought that Miles had "sold out."

Miles' evolving electric approach may have targeted the younger audience that he ultimately acquired, and the music may have relied more on danceable or hypnotic rhythms, but there was no sense of compromise in his music, as the concert footage from the Isle of Wight Festival on the new DVD, Miles Electric: A Different Kind of Blue clearly attests. This music is as free as anything Miles ever did. Sure, Holland, DeJohnette and Moreira would loosely maintain a semblance of rhythm, but Corea and Jarrett were layering ever-shifting dissonant harmonies for Miles and Bartz to expound upon, making this music challenging, and hardly a concession to anything.

The ever-irascible Stanley Crouch, in one of the many interviews that comprise the documentary surrounding performance footage on the DVD, asserts "That's bullshit, see that was all just part of the Miles Davis myth. Miles Davis was trying to make some money. Miles Davis was so great that to see him grovel before these commercial arenas by the end of his life was really very difficult. So people had to say 'no, no, no, he didn't sell out, he's moving ahead.'" It may be true that Miles was, on one level, motivated by more worldly concerns, but on the evidence of his performance at Isle of Wight it becomes clear that the music he would make from Bitches Brew through to the mid-'70s when he went into temporary retirement was more strongly compelled by a lifetime characteristic of never looking back, always looking forward.

By this time Miles was clearly influenced by artists including Jimi Hendrix and James Brown, but while his trumpet playing would ultimately emulate some of Hendrix's style, including his sharp, staccato attack and wah wah effect, he was still speaking the harmonic language that had been evolving since the second quintet of the mid-'60s. And as the rhythms became more jungle-like, the grooves more hypnotic, the harmonic backdrop more convoluted and outré, Miles would maintain and develop this harmonic conception.

All this points to Miles' 38-minute performance at Isle of Wight in '70, which is the centrepiece of the DVD, and exhumed footage that fans of Miles' electric period will find essential and naysayers may find illuminating. The interviews that surround the performance shed light on Miles the man, the musician, the innovator. Keith Jarrett, who self-admittedly hated the instrument he was playing, nevertheless asserts in one of his somewhat uncharacteristically congenial interview segments, that the Isle of Wight performance was truly a history lesson of jazz, that it had it all. And if one looks at the individual contributions of the players, it becomes clear that Jarrett's comment is spot on.

And while some of Miles' band members talk about how they were thrown into a "sink or swim" scenario with the use of electric instruments — Hancock and Corea in particular - they all, with the exception of Jarrett, not only found new possibilities with these instruments, but would ultimately go on to make them an integral part of what they would do with their own projects. Hancock demonstrates the richness and mystery of the Fender Rhodes electric piano, while Corea illustrates the odd dissonances that become possible when feeding it through a ring modulator.

Dr John Mack MD - Harvard Clinical Psychology & Alien Abductions

To paraphrase Arthur C. Clarke 'any sufficiently advanced technology is indistinguishable from the paranormal'.

Increasingly in the scientific press these days we're presented with technology progress that should make the thinking person review the E.T. and abduction question more intelligently. If terrestrial science is making developments in traction beams and invisibility cloaking (two examples from last month alone) one should have no problem in understanding that beings with a thousand or a million years or more of technological superiority would have little problem dragging people out of their sleep for biological tests, then wiping their memories (subsequently recalled in hypnotic regression) and returning them to their sleep largely undetected.

Why would they do that? That's a hundred hours of study just to have some solid speculation so it's not very helpful to the novice at this stage as it opens up more questions than it answers.

Dr. John Mack M.D. was Harvard's top psychologist when he first heard about the alien abduction phenomenon and rejected it immediately as nonsense. However on further examination the data said something was really happening and his continued interest nearly cost him his job. It certainly had his reputation smeared by the academic elite controllers who are instructed to lean on scholars who come too close to the truth. The Dean of Harvard in this instance.

Amazingly Alan Dershowitz (Ultra Zionist Jewish American Lobby) comes to the rescue arguing a case of tolerance and scientific independence. Now that might fly in the face of his attack dog politics for anyone who criticizes Israel but it is as it is. He comes through and does the right thing for Dr Mack in this interesting documentary that compliments the Dr. Karla Turner and Bud Hopkins testimony I've previously written a fair amount about.

Just one anecdote I picked up along the way to fit with the visual of this post. One abductee was taken by traction beam or whatever through the UFO exit and entrance port hole and could see the alien beings paying no attention to him. It was so normal they were talking to each other as a human slid by in the middle of their interaction. That is or was the scale of alien abduction.

The Nutcracker - English National Ballet

The ticket fairy flew by and dropped an invitation in my lap, so I got to see the English National Ballet's 'The Nutcracker' last night and it was worth it for the last six minutes alone. Helicopter view first. When the opening curtains parted the set was dripping in richness, luxury and elegance, and this continued with every set change throughout the performance. The art of set designing has improved beyond description since my theatre days in London. If like me for quite some, you haven't been to the theatre, I urge you to try again. It's so much more immersive.

The first act caught me by surprise, there were about 25 ballet dancing children as the mice or skating soldiers, and they were really good, I didn't see a single mistake. How do they get all those children off school and performing around the country? All of them transformed into real mice at one point with collective fingers waggling like the whiskers and paws twitching as mice eat. However I was anticipating the grown ups to take over and to be candid, I didn't see the kind of performance I was expecting. Now, it might have been the view I had or the excessively hot theatre, or even the version being watched, but the only performance worth noting was the lead female dancer. I believe her name is Fernanda Oliveira from Brazil. Where Yijing Zhang of Birmingham Royal Ballet was magnetically tall, Fernanda's Sugar Plum fairy was diminutively hypnotic. Precision, levitation and elegant symmetry all rolled into one. Superb stuff.

The second act was closer to my expectations. More Corp de Ballet, more Batterie and an astonishing Coda. I think it says more about me than anything but I don't understand why Swan Lake, not The Nutcracker is most popular in the United States. I've also come to the conclusion that if there's no orchestra I'm not going to attend. The richness of sound, in this case the ENB Philharmonic, is something no sound system can come close to. When I went to see Matthew Bourne's Sleeping Beauty earlier this year I didn't write it up as I thought it was crap for various reasons but more expensive tickets and no Philharmonic Orchestra will suffice. Anyway, the wrap up Coda of ENB's The Nutcracker was a dazzlingly baroque, twisting Rubik's Cube of light, shadow and writhing bodies, internally-externalising with the mechanism and precision of a watch. I'll add close examples to the post below. It was worth every penny just for that and I left delighted.

Tila Tequila

Tila Tequila, celebrity personality of dubious fame, first rose to prominence in popular culture due to her number one slot by garnering the most MySpace friends. From there, she enlarged her following and is well known as one of those celebrities dubiously famous for being famous.

Though mention of her generally elicits an instant eyeroll, I want to stress that this should not, in our opinion, negate what she has to say about the Illuminati influence in the music industry. Not necessarily.

We have seen in the past gross attempts to discredit whistleblowers, and celebrities, dubious and otherwise, are easy targets. Remember that the media is very involved in controlling public perception and managing opinions and feelings. In fact, Ms. Tequila herself mentions the hypnotic electronic signals designed to do just that which have been developed to emanate out of televisions.

I’m going to cause even more controversy here by saying that I was perhaps one of three people in the world who is not immediately discounting the fact thatLindsay Lohan claims her brakes failed in her most recent smash up.

Maybe she is lying, but with the Illuminati involved in multitudes of celebrity sacrifices (Heath Ledger springs to mind for starters), should she suffer a tragedy we would all do well to at least ask the questions to determine the details of what actually happened.

I hope that this is not the case, but despite what the media feeds us I would posit that there are very few people who know the real story or what Ms. Lohan is really like as a person. Especially with parents (term used loosely) who have acted much like handlers.

Ms. Tequila (Nguyen), who suffered a brain aneurysm which some suspect was caused intentionally after she began speaking out, wrote on her blog (which has since been removed) the following via Zen Haven:

Hello Dear Ones,

Now, before you start bashing me for thinking that I am “HATING” on Lady GaGa, let me please tell you first that I am not, nor is this post about that.

I just wanted to bring light to something that I have known for a VERY long time. Maybe some of you remember me going on about an hour tweeting about these “secrets” that I know of, a long time ago on my old Twitter account.

A lot of people knew what I was talking about and was in awe or shocked that I knew so much about it. Other’s who don’t know much about it just thought I was talking “crazy” and “nonsense.” However I feel as though it is my duty to start bringing to light the truth behind what is going on in our world today. So unless you have an open mind, then I digress for you to not continue reading my post.

However if you indeed DO have an open mind, or know of these “HINTS” I am dropping to you, then please continue reading. Just letting you guys know, that I will start posting more and more about this, in bits and pieces, as I don’t want to come out and straight up say the whole thing. But if you follow my posts about this, you shall understand my subliminal message that I want to send you, so you can understand what is happening to you and what “THEY” are doing to you.

Ok first of all, do you guys notice how lately, music video’s have a VERY DARK AND SATANIC vibe to them?? For instance a few years ago, pop music video’s were fun, sexy, cute etc. Sorta like when Britney Spears was at the peak of her career and had fresh pop music video’s like “Stronger” or “I’m a Slave For You” “Don’t Let Me Be the Last to Know” etc. You get my point. Compare music video’s from back then until just now. VERY RECENTLY in the past few years. ESPECIALLY once Lady GaGa stepped on the scene, all the music video’s has turned very DARK & SATANIC! I am not joking.

Even Beyonce is now in on it. I don’t want to tell you all of what I know, RIGHT NOW, because “THEY” are watching. As a matter of fact, I had a HUGE battle with “THE OTHERS” for a long time and I must admit, they are powerful. But there needs to be someone, anyone, to stand up against them and for our world to be restored back into peace and harmony once again.

Hmmm… How can I put this. Well, all of Lady Gaga’s Video, even Beyonce’s new video, and XTINA, Miley Cyrus. They all are all of a sudden very DARK & SATANIC! There are TONS of hidden messages in the video and symbols that prove that they worship satan. Please don’t take this as a joke. It is not and it is serious. The Government even now has a way to send out frequencies on your TV that you cannot hear, yet it highly affects your brain and mixed in with all the visuals from the music video’s, you become hypnotized without you even realizing this. That sounds crazy right? Well it is true. I have been studying about this for the past 7 years now and kept quiet about it for a long time, except when I chat with other groups of people I know that also know about “THE OTHERS” if I told you the ENTIRE THING, it will really blow your mind away, but I feel it is SO IMPORTANT for people to know what is happening to them.

Say what you will about her as a “personality”, but if she is aware of this, how many others in the industry are too who have have kept silent? There is a wealth of information and testimony that supports what she is saying. We applaud her courage.

For more on the subject, go here and here.


This post was originally at Duncan O'Finionan's & Miranda Kelley's. Both survivors of MKULTRA

Sci- Fi World

pic.twitter.com/gaNSPJiQgl

— The Drunktank Gangsta (@TheDrunktankG) September 21, 2023

Omnisense called me from the States when I was living in Jomtien, yeah Just Jomtien. Here's the thing** When I was spreading the knowledge about Targeted Individuals, MKULTRA, Gang stalking, Street Theatre and so forth and reaching 6M Twitter people each month and 6M hits on the blog, I got a lot of damaged people getting in touch. Some of them are authentic and so they're damaged. Some of them are deep deciphered assets and/or part of the network, and so they're damaged too but in subtly different and yet still callous

'in a heartless way

heart breaking'

The most I could do is listen, respond as best I could, and suspend judgement by holding two contradictory thoughts at the same time.

Omnisense didn't talk about just those subjects above, he gave me information more important than the occupants as it were, of the latest UFO craze on X

Tell me what you Think

Tell me what you read

Tell me what you feel

Tell me

Hypnotic regression is respected as a reliable method to reconcile screen vs real memories. Your scenario provides a cover but provides no hypothesis for what? Screen memories suppress what happened. Logically, abduction is the concealed info not the concealing layer on top. https://t.co/3sSyVuZUAh pic.twitter.com/4ia8J9bn0k

— CFX (@7CYA7) October 21, 2023

Charlemagne Palestine - Hypnotic Piano & Strumming Music

Bill Ryan's Past Life Regression

I keep an eye on Bill Ryan's posts in the Project Avalon Forum. The people there are nice and well informed. In this interview that I posted last year, Bill talked about his clear memory of past lives. His post below is a candid update to that story and well worth reading if like me the idea of past lives is slightly ordinary common sense. I don't recall any of mine but that doesn't take away from it in the slightest. A quick hypnotic regression would sort that out.

Hi, Folks:

Recently I remembered a highly traumatic event in my last lifetime. Sit tight, dear friends, and listen to this.

I have a clear recall of many lifetimes (some of which go way back) -- including a great deal of information about my lives from 1850-1901 and 1902-1924. 

But the last lifetime (1925-1952) has always been obscured. When that happens -- i.e. everything is accessible and available except a certain period -- it always means that there's something sitting there that one just cannot bear to look at.

I've been researching my own past lives for 27 years. And finally, two weeks ago, I accessed the lifetime before this one. What I could not bear to look at was this.

I was abducted, by caring, concerned and benevolent ETs, in [I believe] September 1946. This was very early for such things: a full 9 months before Roswell. I was abducted with hundreds of other selected individuals. And we were all shown -- graphically, experientially and unforgettably -- a possible future Earth.

I came apart when this repressed memory returned. We humans were together shown a very terrible future. We saw burning cities: billions of people dying in agony. The entire Northern Hemisphere was laid to waste. Plants, animals, forests, seas, men, women, children – all destroyed. South America and Central to Southern Africa were [I believe] spared. The nightmare vision was apocalyptic and as dreadful as one could imagine.

We had all been chosen as messengers. Returned to Earth, with full recall of this awful experience, I was driven like a soul possessed to communicate what had happened -- and what I had been shown. But this was 1946: no-one would listen.

At that time I was in my very early 20s: an earnest, intelligent and sensitive young man. I was utterly ill-equipped to deal with this. I tried to talk to everyone I knew: friends, family, my fiancée. I was shunned, rejected, laughed at: mocked first with teasing laughter, then concern, then with fear, anger and rejection. I did all I could to tell the truth. And I tell you here: knowing the future – or believing that one knows it – is not a gift, it is a curse.

I don’t know what happened after that, except that I was reduced to a degree of inner torture that I would never wish on another soul. I reincarnated as Bill Ryan in February 1953, so I didn’t live for many years after my fateful experience. I died before I was 30, and I do not yet know how that life ended.

So: enter Bill Ryan. Many of you will not know that when I was a child I had a speech impediment. It was quite serious: I could barely speak. It was basically a heavy stammer. My throat chakra had a huge, tangled, energetic blockage.

I was mercilessly teased as a child, and at school lived in permanent anxiety of being asked questions by the teacher. I was very bright, and took refuge in academia and sport: I excelled at both. But I was an unhappy child. However, as time passed, I gradually overcame my handicap to become a teacher, a team-building specialist, and finally a researcher, an investigator, and a motivational and inspirational speaker with tens of millions of views on YouTube.

Just as in all my years of personal growth I never accessed my previous lifetime, I never had any clue why I was born with a stammer. And now, suddenly, last week, it all became clear. I collapsed in huge sobs in the arms of a dear friend as the avalanching realization came that the reason I could not speak as a child was because I ended my previous lifetime not being able to speak of my terrible experience. And just as I was teased and rejected by my friends at the end of my last lifetime, I was teased and rejected by my friends as a reborn child for the same reasons: simply because I was trying to say something.

The catharsis was total. After several days, last week, I came to a state of peace… in which I now write. So much was explained: my driven interest in esoteric subjects as a child (see my Avalon Interview Part 1, in which I tell the amusing story about how I wanted to write a story about ghosts and flying saucers as a child of 8), my commitment to be a teacher, my commitment to peace and harmony on Planet Earth, my teenage interest in scientific subjects such as quantum theory, relativity and astrophysics, and finally Projects Camelot and Avalon, dedicated to raising awareness and – guess what – changing the timeline of our collective experience. I imagine that few of us really know the reasons we make what we believe are free choices in our lives.

So: here we are. And I need to draw some important words of conclusion.

I do NOT believe that this future will happen, that hundreds of us were shown in 1946. I think we’ve avoided it.

What we were shown was a warning: not a prediction. As Inelia described in her May 2011 Avalon interview, we’re doing really well; and as Bill Wood stated in Kerry’s Camelot interview, we may only be a handful of Grandmaster chess moves away from an unavoidable checkmate of the black pieces.

The reasons why the benevolent ETs – themselves superhumanly intelligent and psychically gifted, and also deeply caring in a kind of ultimately parental way – have been focusing so intently on Planet Earth is simply to assist us in changing our own timeline. But we ourselves have to do that: they cannot.

The ET presence is simply about that. They have been our teachers: guiding, cajoling and motivating us, in extraordinarily clever and subtle ways (including many of them incarnating as humans), to take responsibility and make free choices that will result in a new collective agreement and therefore in a new collectively experienced reality.

The entire complexity is further entangled by certain ET races that have a vested interest in disaster and/or enslavement, not liberation – and by other races visiting us from the future who are intent on avoiding or changing timelines that from their own point of view have actually already occurred… the ultimate mindbender of all.

The reason I’m posting this story is to inspire and encourage others to come forward. Others have had a similar experience:

-- Miriam Delicado

-- Jim Sparks

-- and this guy, “William” – who told Linda Howe a staggering and important story about the possible Third World War:

 -- and then scroll down to 16 July 2008.

It seems to have been a theme. Tens of thousands of us (maybe even millions) may have been warned in this way. It seems to have been at least part of the reason why abductions occur. Countless people will also have had this experience (as Jim Sparks explains) – and have not recalled it.

Repeat:

Maybe the ETs have been successful in this mission of theirs. I do NOT believe that this future will happen. I think we’ve avoided it.

What we were shown was a warning: not a prediction. As Inelia described in her May 2011 Avalon interview, we’re really doing pretty well; and as Bill Wood stated in Kerry’s recent Camelot interview, it’s possible that we may be only a handful of Grandmaster chess moves away from an inevitable checkmate of the black pieces.

When I was in Tibet, the community I was part of was united by one theme and one mission: to honor, protect, and work ceaselessly for the freedom of all living beings. In my work today, I try to echo that. It's a lesson not only for me, but for us all.

Terence McKenna - Tree Of Knowledge

Ten and a half hours of Terence McKenna speaking in Boulder Colarado between May 29-31 1992. I've listened to all these many times so I guess I have an 'ology' in McKenna but there are two talks randomly stored on the other computer and which I haven't been able to hunt down again, that I so want to find because I've never heard them posted by anybody else and they are unforgettable. The first is one talk by Terence to a UFO audience and for some reason Terence is really angry (the only time I have heard it in his voice) and he harangues the audience with the most vociferous proselytizing of the DMT on record.

I know he always proselytized DMT (and psilocybin with good reason) but on this occasion it's hell for leather and if I'm not mistaken it was provoked by a mystery fax he received before the lecture. The other lecture that I'm itching to find is a McKenna speech where he channels the 'other' who informs him that the earth will split in two in 2012, which is  eerie because that's exactly what a number of psychics and hypnotic regression experts have said will happen a decade or so later. It's one of those very tiny absurd details in hundreds of hours of listening to people from disparate sources where the correlation has made me sit up and WTF so to speak. When I say the earth splits I mean one dimension remains here and another earth ascends. Check out the Dolores Cannon posts to see what I mean.

798

I paid a visit to the 798 'Art District' of Beijing on Friday for the 'Affordable Art Beijing' exhibition run by Tamsin Roberts of Red T Art.

The last time I was last in the area, it was for the Yen Countdown on New Years Eve. This time had a chance to walk about in the daylight and get a feel for the Bauhaus architecture and general post war 50's East German industrial influence.

Its pretty neat, in that way that only proper industry can do and the industrial estates of Basingstoke fail at miserably don't you think? Anyway here's some art.

I just liked the comical feel to these. We've been having a discussion on Facebook about art which could go on forever but I think good art should just send people up a bit as much as possible.


This one though in the green was just the right amount of sinister and beauty I like. I was really disappointed not to bag, it as it had been bought by the time I arrived, although I may be able to see the artist at his studio at some point.


I really loved this fading and aging Commie girl complete with pigtails from whatever revolution was being espoused at the time. She's just the wrong side of 50 and a little too old to be putting it about. Its the breasts and neckline that give it away. Brilliant.


Like most of the paintings this was part of a set and the eyes were amazing. Magnetic, hypnotic a little bit attractive, a little bit scary and very sexual.

Doubt Is OK. Certainty Is Dangerous.

After I got robbed in Hong Kong I met Steve who was kind enough to stand me a few beers while I was stranded waiting for Sam to reappear from his now questionable charity climb of Kilimanjaro and attend to his obligations. Steve and I got tangled in friendly but tricky discussions on the nature of God and so forth. Steve is a sceptic and so I think we agreed to disagree but we've kept in touch on Facebook and naturally he's sceptical of my UFO links I post on there from time to time. 


I think it's worth pointing out that intelligent life must exist in a universe where billions of stars form a galaxy and billions of galaxies form the universe. To me it's inconceivable to assume it's empty apart from us when our nearest star Proxima Centauri would take 72000 years using the fastest technology known to our species. But we're mates and so I haven't pressed my point but earlier today he touched on the sensitive topic of alien abduction which far from being the most ridiculous evidence, is to me much more credible than any photo or video of UFOs on Youtube. I'm not great at spotting the nutters immediately but I've developed a keen sense of authenticity if given a large pool of testimony and I think I'm brutally forensic if I can have a hundred or so hours of one person talking on difficult or unbelievable topics. Most people don't get past an hour and that number drops to single digits after five hours.


I had no intention of getting into all this UFO stuff but about a year ago I decided to research quantum mechanics and mysticism (same subject really). Which ever way I turned the UFO subject turned up again and again. So once I overcame my internal resistance to spending time with what I thought must be overly zealous proselytizers I realised I'd skipped possibly the most important question of our time. Then on the fringes of the research material it became apparent that the subject appeared to be on the verge of bursting into the daily domain of ordinary lives with a timing for me that I can only describe as unbelievably lucky. Some people have devoted their entire lives to the matter with no measurable return before they died and here I am sensing a change with just enough hours under my belt to argue cogently with some of the most seasoned players in the field. We all have widely differing points of view though and I'm madly hoping I get to find out what I got right or wrong sooner rather than later.


In any case here's me imploring Steve to consider the issue differently and as it's from the heart I'm sharing it here.


The late Budd Hopkins was a highly regarded abstract expressionist artist in New York. At great risk to his career he was unable to ignore the first hand testimonials of alien abduction which is marked by a feeling of confusion involving missing time in many different scenarios. 


The only way to salvage the memories during this process is to use hypnotic regression. Budd Hopkins has a video lecture of his findings after 700 of these regressions over decades and I put it to you that you can't watch it for a couple of hours without realising that it's a phenomena that deserves to be given the respect of at least the diplomacy of accepting that many of these victims have not only been held against their will, tested like a farm animal but also face the ridicule that opinions like yours shame most of them into never revealing what has hurt them psychologically for life. 


I see your anger for this subject as a kind of reminder to you that this isn't people claiming to be the new messiah who are in it for egoic reasons but is a sore concrete data point that nobody comes out of alien abduction with nothing but shame and misery and at best have here shared their information so that others may learn. You may challenge my view but it's just irritating facts as we both know a negative is impossible to prove.


So I believe that ET exists, ET has always existed, ET is part of the fabric of our history/cosmos and that UFO sightings went through the roof after atomic bomb testing (ding dong logic alert. hello is anyone listening) and some ET have been testing our species like mad since the that time too. You don't have to believe any of that but have the courtesy to listen without prejudice to Budd and have some sympathy for a group of people numbering hundreds of thousands if not million(s). Just some sympathy and maybe you'll find something that says it's not madness, but it is at is. 


I know your world view mate and that's fine but I spend my brain power looking for information that turns my world view upside down and it's not easy, takes deep diving and a good nose for bullshit which I don't have but which I'm getting better and better at, particularly with regard to video testimonial. Anyway listen without prejudice and if you have real concerns about authenticity that are above "he said, she said" rhetoric then I would love to hear those because I think your nose for the human story is probably as good if not better than mine. It's the most massively complex story I've ever had to unravel and this is just one small piece of a puzzle that has enraged far far finer minds than mine.

Dr. Karla Turner - The Connection Between Military & Alien Abduction Phenomena

Like Niara Isley, Dr Karla Turner's recollections of military involvement in the alien abduction phenomenon while undergoing hypnotic regression treatment led her to speak out about her experiences. Unfortunately Dr Karla had a PhD and a lot of experience of the world and that kind of rational, problem solving and articulate mind led to her receiving death threats. She then picked up one of those fast acting cancers known to be at the disposal of the intelligence agencies as we've learned from Dr. Rauni-Leena Luukanen and Colonel John B. Alexander.