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TactO MASE Early Works 1st decade: 1997-2006 medium: A Brief An install ng Exhibition in CCA, Kit Featur I and vinyl tape strung from one wall to another, with a chain locking the room but keeping the door ye-width. Visitors can only look through the opening and not see the tant word is out of ortrait outsi medium: Laser-prints on acrylic plates, Backboard size: 840 x Brief description: A photo collage of snapshots of the sky viewed through windows with a cyrcle object made from a wire hanger, that were taken here and there in series while voyaging in Europe around 1999. Each of them were laser-printed on acrylic plates with white paint on the reverse side w hin the oyrcle shape framing each sky, and were all mounted on a black backboard. ‘Anew version using a lightbox will be produced next time around. ARTPORT 2000 Brief description: As ARTPORT 2000 took place in the area of Nagoya Port, Aichi, we organized artist studios within a warehouse open to the public. The workshop was held every weekend as visitors took turns producing so-called cyrcle objects made from wire hangers using only our hands. A year later, all objects were used for the next "MSAGAO *eyrcle project Meanwhile, one project was attempted: the columns of the warehouse were rapped in film, originally produced as a playground for my workshop with soap bubbles but later aborted under circumstances, the end result was a huge Installation space that wavered in the sea wind, Alterward, the idea evolved into "Meet The Forests *cyrcle projec directed as a mixed media performance in collaboration with a video artist, musicians, and dancers presented on Earth Day in 2006. Open Studio: Workshop & Installation Installation, in Jul. ~ Sep. 2001 medium: Wire hangers, Plants of Morning Glory size: 280 x 380 (mm) for each object, 1500 x 270 x 60 in all Brief description: The Botanical Installation displyed through the summer in Nagoya City Science Museum, Aichi Nearly a thousand blue, pink, and white cyrele objects made from wire hangers were strung in the entrance hall, with plants of Morning Glory growing from underneath with their vines twisting along one frame to the next, branching out, producing colorful flowers every morning, and weaving all pisces together at a leisurely pace. Coming to fruition, one project brings the curtain down, and other seasons will come again with their seeds somewhere in the future, Multiple Sculpture, in Sep. 2001 medium: Cigarette can, Cigarette Ash, Redesigned label size: 70 x 60 x 70 (mm) Brief description: Homage to the waorid after “September 11” Made as multiple that a full can of cigarette ash with a redesigned label, that's originally designed by Raymond Loewy with a dove of peace for the first domestic cigarette brand after WWII, and | altered from its olive branch to a fire one in the dark red basic tone, Early Morning Photo Installation, in Sep. 2003 medium: Inkjet-prints, Acrylic plates, Fluorescent light tubes size: 330 x 330 (mm) for each x 24 pieces Brief description: Produced and partly exhibited in Cite Internationale des Arts, Paris for the first time in 2002. Later wholly installed at my solo exhibition “in-between at the alternative space haco in Tagawa, Fukuoka, Features a series of 24 inkjet prints in wet condition ‘mounted in acrylic plates, lit by fluorescent back-lighting, Then new images, created by juxtaposing recto pictures and verso blots, appear through the front of the paper. Originally these were documents of my performance playing with a bed sheet during the first light of dawn, jumping and lying on ground moist from morning dew. Inspired after waking in bed one autumn's morning, the idea was quickly realized on my feet in 1997. Installation, in Sep. 2003 medium: 3 Wire hangers with candles, Iron arm 380 (mm) for each objec Brief description: Produced as another installation at the exhibition “in-bet at alternative spa int Fukuo Eatlier, a nop in the attic” version had been prc for the occasion of Mitsutaka Ishi's Butoh Workshop. The installa andles standing in three cyrcle om an iron arm support on the wall at by customer ble nd talk [te=TesSal a6 a=W 28°12) Installation, in Jul. 2004 medium: Wire hanger, Spider web, Wire arm size: 280 x 380 (mm) Brief description Prod ced and exhibited in Hotel Pupik - Artists in Residence Schrattenberg, Austria - that were formerly ruins of a castle. Consists of a cyrcle object made from a wire hanger with many layers of spider webbing, abandoned and found throughout the ruins. Itis hung by a wire, also a found obj and displayed in its entirety on a wall beside standee windows, where afternoon light penetrates and illuminates the web hours during the sunshine’s duration Other Works (1997-2006) Nutella Video Performanes Video pieces for "Head/Hate" directed by Marina Abramovic Early Morning (study) Photo Installation, 2000 0 x 40 mm ater / 1800 x 8: at ARTPORT2001 day in, dry out x ry a Photo Colage, 2001 11 Silver prints, 1 mount with 12 frames / 1200 x 600 mm. ‘Snapshots of in all with eak haracter, hings, that mounte: Workshop for By Candlelights “cyrcle project Day and Night Workshop in the Attic, 2008 Candles ire hangers, Wires / 280 x 380 mm for each object Presented for Mitsutaka Ishil's Butoh Works!

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