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Matthew G. Kirschenbaum
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Mechanisms: New Media and the Forensic Imagination ハードカバー – 2008/1/31

英語版 Matthew G. Kirschenbaum (著)
5つ星のうち4.7 4個の評価
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In Mechanisms, Matthew Kirschenbaum examines new media and electronic writing against the textual and technological primitives that govern writing, inscription, and textual transmission in all media: erasure, variability, repeatability, and survivability. Mechanisms is the first book in its field to devote significant attention to storage--the hard drive in particular--arguing that understanding the affordances of storage devices is essential to understanding new media. Drawing a distinction between "forensic materiality" and "formal materiality," Kirschenbaum uses applied computer forensics techniques in his study of new media works. Just as the humanities discipline of textual studies examines books as physical objects and traces different variants of texts, computer forensics encourage us to perceive new media in terms of specific versions, platforms, systems, and devices. Kirschenbaum demonstrates these techniques in media-specific readings of three landmark works of new media and electronic literature, all from the formative era of personal computing: the interactive fiction game Mystery House, Michael Joyce's Afternoon: A Story, and William Gibson's electronic poem "Agrippa."

商品の詳細の前のスライド
  1. 本の長さ
    296ページ
  2. 言語
    英語
  3. 出版社
    Mit Pr
  4. 発売日
    2008/1/31
  5. 対象読者年齢
    18 歳以上
  6. 寸法
    13.97 x 1.27 x 19.69 cm
  7. ISBN-10
    0444519807
  8. ISBN-13
    978-0444519801
商品の詳細の次のスライド

商品の説明

レビュー

"Mechanisms is at the cutting edge of second generation scholarship on digital media and electronic literature. After the first generation's inflated claims and broad generalities, Mechanisms leads the way with precise, rigorous analysis both of the nature of digital media and of important works created in networked and programmable platforms. An essential work for anyone interested in the electronic literature, digital arts, and culture in the digital age." --N. Katherine Hayles, Department of English, University of California, Los Angeles "Very few scholars have a precise understanding of the symmetries and asymmetries that define the relation of paper-based and digital technologies. Now when we need that kind of understanding, we are weathering a perfect storm raised by the long neglect of philological discipline, on one hand, and avoidance of any practical understanding of computerized resources on the other. Kirschenbaum's lucid book engages trenchantly with these important and pressing matters. It will wake its neighbors up." --Jerome McGann, University of Virginia "At last in Kirschenbaum's Mechanisms we have our tactical plan for thinking inside the black box of digital media, for moving past 'screen studies' to a new take on electronic media informed by deep understanding of technological practices of inscription and storage. Kirschenbaum introduces a fresh and enlightening dichotomy, that of the interplay of formal and forensic inscription. This dichotomy becomes the raw material for cutting the key to a new critical apparatus for unlocking studies of digital media." --Henry Lowood, Curator for History of Science & Technology Collections, Germanic Collections, and Film & Media Collections, Stanford University Libraries "Kirschenbaum's book is the most rigorous, cohesive, historically informed, materially grounded, and theoretically interesting treatment of textual artifacts in the age of digital mutation that I have yet encountered. The book introduces completely new materials and unique archival and site-specific research within an innovative methodological framework blending the new textual scholarship with the equally new discipline of digital forensics. Mechanisms is destined to be a landmark work for the field of digital textual studies in the same way that Lev Manovich's Language of New Media was for the digital arts and new media fields." --Alan Liu, Department of English, University of California, Santa Barbara

著者について

Matthew G. Kirschenbaum is Associate Professor of English and Associate Director, Maryland Institute for Technology in the Humanities (MITH), University of Maryland. He was a 2011 Guggenheim Fellow.

登録情報

  • ASIN ‏ : ‎ 0262113112
  • 出版社 ‏ : ‎ Mit Pr (2008/1/31)
  • 発売日 ‏ : ‎ 2008/1/31
  • 言語 ‏ : ‎ 英語
  • ハードカバー ‏ : ‎ 296ページ
  • ISBN-10 ‏ : ‎ 0444519807
  • ISBN-13 ‏ : ‎ 978-0444519801
  • 対象読者年齢 ‏ : ‎ 18 歳以上
  • 寸法 ‏ : ‎ 13.97 x 1.27 x 19.69 cm
  • カスタマーレビュー:
    5つ星のうち4.7 4個の評価

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  • N. Kelber
    5つ星のうち5.0 Mechanisms is a Gamechanger
    2008年7月19日にアメリカ合衆国でレビュー済み
    Amazonで購入
    Mechanisms is an excellent introduction into the forensics of computer inscription. Whereas a great deal of digital humanities research has focused upon using computers to study codexes, Kirschenbaum's book seeks to closely examine the "born-digital" world of text. The book offers a forensic perspective into hard drives, file systems, and computer history. How does one examine the laptop of Salman Rushdie? What information is contained within a hard drive using tools like hex editors? Is it appropriate to access information that may be private or sensitive? Mechanisms offers new perspectives in analyzing the "born-digital" but also propels the fields of bibliography and textual criticism into the digital age. This is a must-read for anyone interested in the digital humanities field.
    レポート
  • Frank A. Stephenson
    5つ星のうち4.0 Invisible
    2014年1月3日にアメリカ合衆国でレビュー済み
    Amazonで購入
    The days of eBooks are here, and with that prompts the question: are there differences in electronic writing? The short answer is yes. One of the directions computer forensics is moving is to look at new media in different ways. For example, how different operating systems compiles information, or how specific versions of the same documents appear. How about different devices for storage? Formats? Platforms? But do not stop there; images count, too. A GIF and a JPEG of the same image may look the same on the screen, but they are not the same to what the eye cannot see, at least not until a histogram is produced for each image. Then the differences are visible, but only then. The author of this book is quite advanced in the study of electronic media, and his awards speak volumes. This treatise opened my eyes to what is invisible and why.
    レポート
  • Kent
    5つ星のうち5.0 Writing is writing is writing
    2013年3月11日にアメリカ合衆国でレビュー済み
    Amazonで購入
    In my mind, or for what I need this book for, Kirschenbaum's most important argument is that digital recording, like all others, requires a physical substrate that means it is an unique artifact and that it has identifiable provenances. This is important because it allows us to discuss digital technics alongside print technics. A very important book in this regard.
    レポート