Official video for Believer, from John Maus’ album “We Must Become the Pitiless Censors of Ourselves”. Directed by Jennifer Juniper Stratford, video synthesizer programming by Seth Nemec.
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#trippy #believer #john maus #music #music video #nancy #video synthesis #psychedelicThe music video for Michael Jackson’s ‘Black or White’ as a color study.
“This video is the original music video "Black or White” by Michael Jackson but color sorted and then visualized as a Treemap. We took each frame and were counting the colors. Treemaps are great at showing proportions of a set of items to each other. And because of the music video behind, they become alive and move and dance.
Trampoline Dream
Visuals by Sabrina Ratté. Music by Raglani.
Mark Romanek’s music video for Sonic Youth’s Little Trouble Girl.
‘Tis the season to watch Bill Nighy dance around in the most ludicrous fashion.
This is the full music video, in its ridiculous glory, seen only in pieces in Love Actually.
The more you rewatch the film, the more you see it’s countless, egregious flaws. But Bill Nighy is untouchable. He gets better and better.
Peter Gabriel’s “Steam” (1992). The first music video to use motion capture technology.
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“Ascension Millennium” - Corey Feldman
I have no idea what to make of this new one-take music video from Corey Feldman. 70% unintentional camp/20% washed-up child star/10% tongue-in-cheek? I don’t know if I got those proportions correct.
This music video for “Sweater” by Willow uses three projectors to create its effect, is ridiculously clever, and requires some very fun mental gymnastics.
Sound waves + frozen vodka + just the right camera setting = science + magic.
Sometimes the behind-the-scenes documentation is more interesting than the video itself. But the music video is also pretty great.
Billy Mack (Bill Nighy) - Christmas Is All Around Me
The full music video, in its ridiculous glory, seen only in pieces in Love Actually.
The more times you watch the film, the more you see it’s countless, egregious flaws. But Bill Nighy is untouchable. He gets better and better.
Guy Ritchie directed the video for Madonna’s ‘What It Feels Like For a Girl’ way back in 2001. It was banned from most TV outlets due to violence.
A select few people used to buy music video singles on DVD. This particularly video was the 2001′s best seller, and its first week’s numbers are the highest ever for the format.
