Brand storytelling and captivating content with a social data twist
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Our talk at Social Media Week Barcelona 2014 to a brilliant audience at the Mobile World Centre. We stepped past the 'content is king' mantra and talked about how to consistently light up Social Streams in the right way? Starting from branding and storytelling from a social perspective, we talked through the highlights (and lowlights) of social content marketing, and shared our technique of using the open graph to inform conversation maps - A technique we call Interest Mapping.
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Brand storytelling and captivating content with a social data twist
- 1. BRAND STORYTELLING AND CAPTIVATING CONTENT WITH A SOCIAL DATA TWIST #SMWBCN @THISHERE
- 2. Q&A
- 3. WHO ARE WE? THIS HERE JEMIMA| TOM @_jemima @tomszekeres
- 4. ER SE ED INT ING WHAT DO WE DO? ES TM AP PIN ST G TOOLS & REPORTING DATA CAMPAIGNS CREATIVE CO NT IGH INS G (A data-fuelled creative start-up) DIN AN TS BR ICS YT L NA A GY TE RA EN T
- 5. WHAT IS THIS TALK ABOUT? BRANDS IDEAS TOOLS 2014 (not 2010) THIS TALK thishe.re | @thishere XX
- 6. WHAT IS THIS TALK ABOUT? BRANDS IDEAS TOOLS 2014 (not 2010) THIS TALK thishe.re | @thishere XX
- 7. LET’S START WITH SOME IDEAS…
- 8. SOCIAL MEDIA IS AN ADDICTION
- 9. SOCIAL MEDIA IS AN ADDICTION EMPATHY, GENEROSITY & TRUST
- 10. THE NEWS FEED IS KING >90% of people’s time on social networks is spent in the stream
- 11. THE NEWARE NOW PUBLISHERS BRANDS BRAND BUILDING REALITY
- 12. THE NEWARE NOW PUBLISHERS BRANDS BRAND BUILDING REALITY “By 2020, the simple reality is that every brand will be a media brand”
- 15. TOTAL EXPERIENCE MANAGEMENT Red Bull is a soft drink Red Bull gives you wings
- 16. TOTAL EXPERIENCE MANAGEMENT Red Bull is a soft drink Red Bull gives you wings
- 17. ATTENTION IS EVERYTHING HOWHOWYOUCUT CUT DO YOU YOU HOWHOWYOUCUT CUT DO YOU YOU HOWHOWDO CUT CUT DO YOUYOU HOWDO YOU CUT CUT CUT HOWYOU CUT YOU DO HOWDO CUT DO YOU CUT HOWHOWHOWDO YOU CUT HOWYOUCUT CUT DOYOU CUT CUT DO YOU DO YOU HOWHOWHOWDO YOU CUT DOYOU CUT CUT YOU THE THROUGH CUT THE HOW DODOYOU CUT DO YOU HOWHOWHOWDO YOU CUT DOYOU CUT CUT THROUGH THE THE HOW DODOYOU CUT DO YOU HOWHOWHOWDO YOU CUT DOYOU CUT CUT THROUGH THE THE HOW DODOYOU CUT DO YOU THROUGH HOWHOWHOWDO CUT THROUGHTHROUGHYOU CUT THROUGH THE THE THE DO HOW DODOYOU CUT DOCUT THROUGH HOWHOWHOWTHE CUT THROUGHTHROUGHYOU CUT THROUGH YOU THE THE THE HOW THROUGH CUT DOCUT THROUGH HOWHOWYOU DO CUT YOUCUT THROUGHTHROUGH THE NOISE? DO HOW DODO THE CUT DO CUT THROUGHYOUDOYOU THROUGH THE THE YOU HOWHOWNOISE? CUT THROUGHTHROUGH THE THE THE NOISE? THE HOW DO YOU CUT DO THROUGHYOUDO THE THROUGH YOU THE HOWHOWNOISE? YOUCUT THROUGHTHROUGH THE THE NOISE? HOW DO THE THROUGH YOU THE THROUGH THROUGHTHROUGH THE NOISE? THE NOISE? HOW DO THE HOWNOISE? THROUGH YOU THETHE THROUGH THROUGHTHE THE NOISE? NOISE? NOISE? HOW DO THROUGH THROUGH THE THETHE THROUGH NOISE? THROUGH NOISE? NOISE? THE THROUGH THE THE THROUGH NOISE?NOISE? NOISE? THROUGHTHE THE NOISE? NOISE? THROUGH THE THROUGH NOISE?NOISE? THROUGHTHE NOISE? NOISE? THROUGH THE THROUGH NOISE?NOISE? NOISE? NOISE? THROUGH NOISE? THROUGH NOISE?NOISE? NOISE? NOISE? THROUGH NOISE?NOISE? NOISE? NOISE?NOISE? NOISE? NOISE?NOISE? NOISE? NOISE?NOISE? NOISE? NOISE?
- 18. HOWHOWYOUCUT CUT DO YOU YOU HOWHOWYOUCUT CUT DO YOU YOU HOWHOWDO CUT CUT DO YOUYOU HOWDO YOU CUT CUT CUT HOWYOU CUT YOU DO HOWDO CUT DO YOU CUT HOWHOWHOWDO YOU CUT HOWYOUCUT CUT DOYOU CUT CUT DO YOU DO YOU HOWHOWHOWDO YOU CUT DOYOU CUT CUT YOU THE THROUGH CUT THE HOW DODOYOU CUT DO YOU HOWHOWHOWDO YOU CUT DOYOU CUT CUT THROUGH THE THE HOW DODOYOU CUT DO YOU HOWHOWHOWDO YOU CUT DOYOU CUT CUT THROUGH THE THE HOW DODOYOU CUT DO YOU THROUGH HOWHOWHOWDO CUT THROUGHTHROUGHYOU CUT THROUGH THE THE THE DO HOW DODOYOU CUT DOCUT THROUGH HOWHOWHOWTHE CUT THROUGHTHROUGHYOU CUT THROUGH YOU THE THE THE HOW THROUGH CUT DOCUT THROUGH HOWHOWYOU DO CUT YOUCUT THROUGHTHROUGH THE NOISE? DO HOW DODO THE CUT DO CUT THROUGHYOUDOYOU THROUGH THE THE YOU HOWHOWNOISE? CUT THROUGHTHROUGH THE THE THE NOISE? THE HOW DO YOU CUT DO THROUGHYOUDO THE THROUGH YOU THE HOWHOWNOISE? YOUCUT THROUGHTHROUGH THE THE NOISE? HOW DO THE THROUGH YOU THE THROUGH THROUGHTHROUGH THE NOISE? THE NOISE? HOW DO THE HOWNOISE? THROUGH YOU THETHE THROUGH THROUGHTHE THE NOISE? NOISE? NOISE? HOW DO THROUGH THROUGH THE THETHE THROUGH NOISE? THROUGH NOISE? NOISE? THE THROUGH THE THE THROUGH NOISE?NOISE? NOISE? THROUGHTHE THE NOISE? NOISE? THROUGH THE THROUGH NOISE?NOISE? THROUGHTHE NOISE? NOISE? THROUGH THE THROUGH NOISE?NOISE? NOISE? NOISE? THROUGH NOISE? THROUGH NOISE?NOISE? NOISE? NOISE? THROUGH NOISE?NOISE? NOISE? NOISE?NOISE? NOISE? NOISE?NOISE? NOISE? NOISE?NOISE? NOISE? NOISE?
- 19. GREAT CONTENT TELLS A STORY
- 20. GREAT CONTENT TELLS A STORY
- 24. DEFINING YOUR BRAND THIS IS A SUBTITLE
- 25. How do you What do you What do you behave? look like? talk about? ! WHO ARE YOU?
- 27. How do you behave? ! What do you look like? What do you talk about?
- 29. DEFINING YOUR BRAND 1. Behaviour 2. Visual Language 3. Interests & Topics
- 30. “THE ART OF CONNECTION IS BRAND VOICE.” “Having a brand voice, means staying true to that, across media, across audiences, and if you’re a global brand, across geographies too.” Jason Baer, siegel+gale
- 32. CONSISTENT BEHAVIOUR: HUBBUB SOCIAL SHARE COPY WEB COPY TRAIN ADS SMS
- 33. TONE OF VOICE: HUBBUB
- 34. TONE OF VOICE: HUBBUB
- 36. CONSISTENCY DOESN’T MEAN MONOTONY
- 38. BE RECOGNISABLE
- 39. BE REALISTIC SLOW (Stock) thishe.re | @thishere QUICK (Flow)
- 40. BE PRACTICAL thishe.re | @thishere
- 41. BE PRACTICAL thishe.re | @thishere
- 42. VISUAL TOOLKIT BALANCE QUICK AND SLOW EE’s ‘Smart Particles’ background, typeface, and illustration style thishe.re | @thishere
- 43. VISUAL TOOLKIT CREATE FLEXIBLE ASSETS thishe.re | @thishere
- 44. VISUAL TOOLKIT CREATE FLEXIBLE ASSETS, AND PLAY WITH THEIR APPLICATIONS This Here’s patterns thishe.re | @thishere
- 45. CONTENT SERIES: EE thishe.re | @thishere
- 46. CONTENT SERIES: THIS HERE thishe.re | @thishere
- 47. “I SUPPOSE IT IS TEMPTING, IF THE ONLY TOOL YOU HAVE IS A HAMMER, TO TREAT EVERYTHING AS IF IT WERE A NAIL.” ! ! - ABRAHAM MASLOW. Photo: Frank B. Gilbreth
- 48. GET YOUR AUDIENCE TO TELL YOUR STORY
- 49. USER GENERATED CONTENT (CURATION VS CREATION)
- 51. “OUR FAVOURITE FAN SHOT OF THE YEAR GOES ON OUR PACKAGING”
- 52. UGC: PLUMEN
- 56. TALK ABOUT TOPICS IF YOU HAVE: • The Right Your area of expertise (a problem you’re trying to solve) ! • Commitment Contribution, sponsorship ! • Passion Brands have passions too
- 60. B SEVEN FOR ALL MANKIND A FIXED GEAR JOHN FREIDA ROCHAS PRIMARK ACCESSORIZE HOLLISTER MOTEL ROCKS EAST ENDERS LONDON COLLEGE OF FASHION C BELSTAFF OASIS BURBERRY LONDON ART GALLERIES 3.1 PHILLIP LIM PARIS FASHION WEEK ENGLAND CRICKET TEAM GRAZIA STYLE SCRAPBOOK LIPSY LONDON RIMMEL LONDON GLAMOUR JEFFREY CAMPBELL SHOES MISS SELFRIDGE LANVIN E ENGLAND FOOTBALL TEAM DAZED AND CONFUSED D
- 61. B TYPOGRAPHY CENTRAL ST MARTINS COLLEGE A FIXED GEAR RAY BAN WAYFARER CANNES FILM FESTIVAL STREET ART BAPE INGMAR BERGMAN FASHION PHOTOGRAPHY HOT RODS GQ TRAVELLING VICE MAGAZINE INSTAGRAM TATE MODERN ANDY WARHOL CAFE RACERS KEITH HARING PAGANI TRIUMPH E COOKING HOUSE MUSIC FUNK & SOUL FORMULA 1 D C
- 62. INTEREST AND TOPIC MAPPING NEW TECHNIQUES Fashion Photography Motoring / Cycling TRIUMPH HOT RODS PAGANI F1 Urban Culture Art & Design TYPOGRAPHY INSTAGRAM RAY BAN WAYFARER FIXED GEAR CAFE RACERS TRAVELLING GQ FASHION PHOTOGRAPHY Film TATE MODERN STREET ART CENTRAL ST MARTINS COLLEGE VICE MAGAZINE KEITH HARING BAPE HOUSE MUSIC FUNK & SOUL ANDY WARHOL INGMAR BERGMAN CANNES FILM FESTIVAL
- 63. INTEREST AND TOPIC MAPPING NEW TECHNIQUES AUDIENCE + INTEREST + STORY + FORMAT = IDEA
- 64. INTEREST AND TOPIC MAPPING NEW TECHNIQUES AUDIENCE + INTEREST + STORY + FORMAT = IDEA E.G NEW YORK HIPSTERS URBAN CULTURE INSTAGRAM VIDEO ?
- 67. AND IF YOU WANT YOUR AUDIENCE TO KEEP COMING BACK…
- 69. LOVELY Any questions? answers@thishe.re or @thishere ! …or say hello afterwards.