abandoned building with Aurora Borealis above it.
Premium

In Russia’s far north, legends and lives are frozen in time

A photographer returns to her roots and the haunting, stark beauty of the polar landscape.

Wind-blown snow swirls past abandoned buildings keeping cold vigil over the empty streets of Dikson. Once the centerpiece of Soviet dreams to develop the Arctic, the port town was slowly deserted after the collapse of the Soviet Union in 1991.
Story and photographs byEvgenia Arbugaeva
November 10, 2020
14 min read
This story appears in the December 2020 issue of National Geographic magazine.

People say that once you have the Arctic in your system, it will always be calling you. I spent my childhood running about the tundra and watching the northern lights as I walked to school in the polar night, the poetic name for the two months of darkness that’s not just winter here but also a state of mind. I left my hometown of Tiksi, a remote seaport on the shore of Russia’s Laptev Sea, years ago to live in big cities and different countries. But the Arctic has been calling me back. I crave its isolation and slower pace of life. In this frozen northern landscape, my imagination flies like the wind, with no obstacles. Every object becomes symbolic, every shade of color meaningful. I am my real self only when I am here.

It’s much the same for those I photograph. Sometimes I think their stories are like chapters in a book, each revealing a different dream but each also connected to a love of this land. There’s the hermit who imagines he’s living on a vessel at sea, and the young woman who dreamed of living with her beloved at the edge of the world. Then there’s the community that’s keeping its past and future alive as its members follow the traditions and retell the myths of their ancestors. And finally there’s the old Soviet dream of polar exploration and conquest. Each dream has its own color palette and atmosphere. Each person who is here is here for a reason.

The first dream belongs to Vyacheslav Korotki. He was the longtime chief of the Khodovarikha Meteorological Station on an isolated peninsula on the Barents Sea—a slender, barren spit of land that, Korotki says, feels like a ship. When I first met him, I instantly recognized his tarpaulin jacket, the kind all men wore back in Soviet times in my hometown. He is what is known as a polyarnik—a specialist of the polar north—and has dedicated his life to work in the Arctic. He still helps report the weather.

Outside the station I could hear ice shifting and grinding and the wind making the radio wires whistle. Inside it was quiet, with only Korotki’s footsteps and a squeaking door marking the passage of time. Every three hours he’d leave, then return, muttering observations to himself—“Wind south southwest, 12 meters per second, gusts up to 18 meters, getting stronger, pressure falls, snowstorm is coming”—which he would then report over a crackling old radio to a person he has never seen. (A fading culture adapts to the changing times in this Arctic town.)

(What’s it like to grow up underneath the aurora borealis? In this episode of our podcast Overheard, we chat with Evgenia about the unexpected beauty of her childhood home in the Siberian Arctic. Listen now on Apple Podcasts.)

man on a boat in the middle of a stream.
KHODOVARIKHA | 68.941° N | 53.769° E

On a quiet and windless day, Vyacheslav Korotki drifts alone in his handmade boat on a narrow bay of the Barents Sea near the Khodovarikha Meteorological Station. He has spent most of his life in remote Arctic stations and says he loves this particular area he’s called home for two decades.

lighthouse at night with human with flashlight near it.
Korotki walks toward a lighthouse that went out of service over 10 years ago. When he ran short of firewood, he’d pry away the lighthouse’s timber panels to heat the weather station where he lived and worked. That station has since been replaced with a newer facility.
old radio on the desk against the wallpaper with flowers on it.
This radio at the old weather station transmitted meteorological data such as temperature and precipitation to the station in the closest city, Arkhangelsk, nearly 500 miles away. Korotki continues to report meteorological data every three hours, night and day.
man looking at the bird in cage hung on the window.
Kesha the parrot, a New Year’s gift from photographer Evgenia Arbugaeva, keeps Korotki company as he eats lunch at the old weather station. Kesha is named after a bird in a popular Soviet-era cartoon series.
small lighthouse model on top of large book.
A lighthouse model that Korotki is building from matches seems to cast a shadow of the Arctic landscape against the wall of the weather station. The little lighthouse rests atop a Soviet reference book called The Dynamics of Sea Ice.

One day I felt sad, the polar night causing my thoughts to run in chaotic directions. I came to Korotki with a cup of tea and asked how he could live here, alone, every day the same. He told me: “You have too many expectations, and I guess it’s normal. But every day is not the same here. Look, today you saw the bright aurora borealis and a very rare phenomenon of thin ice covering the sea. Wasn’t it great to see the stars tonight, after they were hiding from us behind the clouds for over a week?” I felt guilty for gazing too much inside of myself, forgetting to observe outside. From then on I became all eyes.

One month I lived with a young couple, Evgenia Kostikova and Ivan Sivkov, who were collecting meteorological data at another frozen edge of Russia. Kostikova had asked her beloved Sivkov to join her up north after their first year together in a Siberian city. They monitored the weather, chopped wood, cooked, tended the lighthouse, and looked after each other. For medical help they relied only on a distant helicopter, but it could be delayed for weeks in rough weather. Kostikova called her mother almost every day, but as there was little news to report, she’d often ask her mother to leave the phone on speaker and to go about her housework. Kostikova would just sit and listen to the sounds of her faraway home.

pale-green apples on white table cloth against white wall.
KANIN NOS | 68.657° N | 43.272° E“I brought treats like chocolate and fruit,” Arbugaeva says. “These little things are like gold in the Arctic and brought the biggest smile to [meteorologist and lighthouse keeper] Evgenia Kostikova’s face. She wrapped the apples one by one in newspaper, as if they were made of crystal, to prevent them from freezing.”
the sign painting with white on brown shack.
“The edge of the world”—that’s what meteorologist and lighthouse keeper Ivan Sivkov wrote in white paint on this storage shack. It sits near where an icebreaker docks to deliver supplies to the Kanin Nos lighthouse and meteorological station every summer.
man and women bundled in winter coats with a dog.
Kostikova and Sivkov, joined by their dog, Dragon, collect water samples to measure the salinity of the seawater surrounding the narrow Kanin Peninsula, where the White Sea and the Barents Sea meet.
Kostikova keeps warm by a small radiator as she reads her book. When Kostikova was a little girl, a family friend told her stories of Arctic life. At 19 she began work at her first polar station. She says she instantly knew that the Arctic was the right place for her.
lit light-house in blizzard.
Kostikova and Sivkov make their way toward the lighthouse, which seems to rise in the air in the midst of a blizzard. It is one of the few remaining lighthouses in the Arctic. New sea routes are opening, and many ships today have modern navigation systems.

Perhaps partly because of their isolation, the 300 Chukchi in the village of Enurmino have kept their traditions, living off the land and sea as their ancestors did, hewing to the same myths and legends passed through the generations. It is an honor to be a hunter, and the villagers follow federal and international quotas as they hunt for walrus and whale to sustain their community through the long winters. Not far from Enurmino, I spent two weeks in a wooden hut with a scientist who was studying walruses. We were trapped inside for three of those days, careful not to set off a panic among the estimated 100,000 walruses that had hauled out around us, their movements and fighting shaking our hut. (Reindeer herders in Russia’s Arctic migrate 800 miles a year. Now it’s getting tougher.)

walrus head seeing in doorway.
ENURMINO | 66.954° N | 171.862° W“When we were surrounded by walruses, the hut was shaking,” Arbugaeva says. “The sound of their roaring was very loud; it was hard to sleep at night. The temperature in the hut was also raised dramatically because of the walrus body heat outside. At this massive Pacific walrus rookery, so many had hauled out on shore—about 100,000—because the warming climate meant less sea ice for them to rest on.”
man sitting on bed.
Nikolai Rovtin is lost in thought after speaking of his wife, who passed away last year. He now lives alone at an abandoned weather station. Before the Soviets attempted to develop the Arctic, he lived in a yaranga, a traditional Chukchi home of wood and reindeer skin.
a walrus skull on a table with hunters gears hung on a wall above it.
A walrus skull rests on a table in a hunter’s garage. Walrus meat is a primary means of sustenance for the Chukchi community, which, local hunters say, is allowed an annual quota of walruses and whales. Hunters use traditional harpoons as well as modern guns.
man and whale carcass on the icy shore.
Night falls as Chukchi hunters head home after harpooning this gray whale for its meat. On the return voyage, by tradition, the hunters are silent, speaking only in their minds and only to the whale, asking forgiveness and explaining why the hunt was necessary.
girl in traditional dress onstage.
Vika Taenom wears a customary Chukchi dress called a kamleika as she rehearses a traditional dance in the cultural center in Enurmino. Many dances mimic animal movements, and this one is meant to conjure birds such as geese, ducks, and seagulls.

The dream of Soviet greatness is covered in frost in Dikson, on the shore of the Kara Sea. During its heyday in the 1980s it was called the capital of the Russian Arctic, but since the demise of the U.S.S.R. it has become almost a ghost town. Perhaps there will be new towns as the region warms, but it pains me to see the failure of human effort on such a scale.

During my first weeks I was disappointed with the photos I shot in Dikson’s endless darkness, but then the aurora borealis suddenly exploded in the sky, coloring everything in neon hues for several hours. Cast in a green light, a monument to soldiers looked like Frankenstein’s monster, who, after all, at the end of Mary Shelley’s book, escaped to the isolation of the Arctic. Then the aurora faded, and the town started to slowly disappear back into darkness until finally it was invisible.

a frosted piano by broken window with starry sky outside.
DIKSON | 73.507° N | 80.525° E“I imagined the music playing and the stars sparkling in unison after I first entered the quiet room,” says Arbugaeva. “But then I began to hear the wind slamming doors in the corridor and strange creaking sounds. In my fuzzy imagination I thought I heard someone’s footsteps … and I ran.”
monument against aurora borealis.
The aurora borealis, or northern lights, casts a colorful spell over a monument in this abandoned town square in Dikson. The statue honors the soldiers who defended the once thriving outpost against a German attack during World War II.
open book and pair of shoes covered with frost.
The children who last attended school here are now adults, but their textbooks still lie open, seemingly frozen in time. Arbugaeva waited through two weeks of darkness and stormy weather until the aurora borealis provided enough light for photographs.
handmade staffed toy on windowsill.
A homemade doll leans against a frosty windowsill of an abandoned school in Dikson. In its heyday in the 1980s the town was a symbol of Arctic ambitions and home for a population of about 5,000.
aurora borealis over buildings.
The cultural center, once alive with performances and celebrations, has long stood empty. Its Soviet architectural style can be found in other Arctic outposts developed during the push to build infrastructure along the Northern Sea shipping route.
Evgenia Arbugaeva was born in Tiksi, in the Russian Arctic. She recently photographed the Indonesian butterfly trade for the magazine.

The nonprofit National Geographic Society helped fund this article.

Go Further